Stephen Black
Stephen Black has been making “stuff” for as long as he can remember. This Tiny Gallery installation is a rarity though, as he almost never shows his work publicly. Stephen, born 1953, attended the Cleveland Institute of Art, then moved to New York City where he received a BFA in 1980 from the School of Visual Arts. Throughout the 1980s, he showed his wall constructions at various New York galleries. In 1987 he received a New York Foundation for the Arts award for sculpture. As part of the award program, he taught a screen-printing class to area tribal artists at the Native American Museum, then located in Harlem. He has long been drawn to cultural artifacts, seeing in them the mystery of existence, sacred and profane.
His love of printmaking led to a life working in a variety of commercial arts, but all the while, during his optional hours, the steady constant was the things he created.
Artist statement
“I’ve thought of myself as an artist since I was six years of age, having this epiphany after the praise of a kindergarten teacher about my drawing of a tulip. I prefer not to make pictures of things these days but make the thing itself. I keep to simple machines, tools or odd shapes and let time and natural forces, like erosion and decay, have their effect on what I make.
I imagine these things as artifacts of some unnamed culture, past or future. I rarely know where these ideas come from. Some I simply make up and pretend it’s a real thing with physical qualities or functions; some develop their own life through the process of working. I usually offer a title or number and the size, weight, materials, and the approximate date of completion. But generally, I prefer saying as little as possible. I hope that what I’ve given the viewer is enough for them to have their own response.
I’ve gotten to know so many great artists over the years. For instance, my mother and my brother. So, it’s just breathing, you know? Maybe a cliché, but no less accurate.”
Tiny Gallery Q&A
Just for fun, Tiny Gallery asked Stephen to answer a few questions from Vogue’s 73 Questions, a favorite Q&A that always entertains. His responses are below:
Where is your favorite place to be? Here, now
Where do you get inspiration from? My ignorance
What is the best piece of advice you have ever received? Nothing should be perfect.
What is your favorite genre of music? Today Captain Beefheart’s. Tomorrow?
What is your biggest regret? Working
What is one thing on your bucket list? Time travel
What is your guilty pleasure? Slothfulness
What is your biggest achievement? Turning 70
What is your go to coffee order? Can I get an Irish coffee?
What is your favorite alcoholic beverage? Manhattan
What is your favorite movie? Darby O’Gill and the Little People
What is something that you can’t do but wish you could? High jump at least 8 feet
If you could have someone else’s closet, whose would it be? John Waters
What is an ideal date? 1000 CE
Who is your celeb crush (boy and girl)? Henry V, Elizabeth Zott
What is your favorite type of breakfast food? A proper English breakfast please
What is your favorite smell? Dinner
What is your favorite color? Pink
What is the first thing you do when you wake up? Think about breakfast
What makes you smile the most? Mary’s smile
Who is the last person you texted? You
What is your favorite time of the day? Early Morning
If you could travel with anyone, who would it be? Dante
What is a skill that you are working on? Letting people finish their sentences.
What is your dream job? Arting
What is your favorite ice cream flavor? The one true flavor, chocolate
How would you describe your style? None
What is your favorite curse word? Nerts
Where does one go on a perfect road trip? Whatever alien planet is open to visitors.
How would you like to be remembered? Occasionally
“This Tiny Gallery project is a site-specific installation. The concept is inspired by the Gallery itself, and intended to be viewed in darkness; the daylight view, it should be noted, may suggest a garish stage set. At sundown when it gets dark the gallery lights will turn on. I don’t generally make free standing sculptures like these—my work has been primarily wall constructions—so this is a new form. A few of these pieces are scaled down versions of larger works that were in progress when Tiny Gallery got in touch about doing something. The others are actual size. In any case, it’s about the gallery space itself.” —Stephen Black